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Diego Rivera : ウィキペディア英語版
Diego Rivera

Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera ((:ˈdjeɣo riˈβeɾa); December 8, 1886 – November 24, 1957) was a prominent Mexican painter. His large wall works in fresco helped establish the Mexican Mural Movement in Mexican art. Between 1922 and 1953, Rivera painted murals among others in Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, and New York City.〔(【引用サイトリンク】url=http://www.abcgallery.com/R/rivera/rivera.html )〕 In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York City. Rivera had a volatile marriage with fellow Mexican artist Frida Kahlo.
==Personal life==

Rivera was born in Guanajuato, Mexico, to a well-to-do family, the son of María del Pilar Barrientos and Diego Rivera Acosta.〔http://biography.jrank.org/pages/3436/Rivera-Diego-1886-1957-Artist-Began-Drawing-Toddler.html〕 Diego had a twin brother named Carlos, who died two years after they were born.〔(online biography ) Retrieved October 13, 2010〕 Rivera was said to have Converso ancestry (having ancestors who were forced to convert from Judaism to Catholicism).〔("On this day: Diego Rivera dies", ''The Jewish Chronicle''. Thejc.com. Retrieved 20-09-2012 )〕 Speaking about himself, Rivera wrote in 1935: "My Jewishness is the dominant element in my life." Rivera began drawing at the age of three, a year after his twin brother's death. He had been caught drawing on the walls. His parents, rather than punishing him, installed chalkboards and canvas on the walls. As an adult, he married Angelina Beloff in 1911, and she gave birth to a son, Diego (1916–1918). Maria Vorobieff-Stebelska gave birth to a daughter named Marika in 1918 or 1919 when Rivera was married to Angelina (according to ''House on the Bridge: Ten Turbulent Years with Diego Rivera'' and Angelina's memoirs called ''Memorias''). He married his second wife, Guadalupe Marín, in June 1922, with whom he had two daughters: Ruth and Guadalupe. He was still married when he met art student Frida Kahlo. They married on August 21, 1929 when he was 42 and she was 22. Their mutual infidelities and his violent temper led to divorce in 1939, but they remarried December 8, 1940 in San Francisco. Rivera later married Emma Hurtado, his agent since 1946, on July 29, 1955, one year after Kahlo's death.
Rivera was an atheist. His mural ''Dreams of a Sunday in the Alameda'' depicted Ignacio Ramírez holding a sign which read, "God does not exist". This work caused a furor, but Rivera refused to remove the inscription. The painting was not shown for 9 years – until Rivera agreed to remove the inscription. He stated: "To affirm 'God does not exist', I do not have to hide behind Don Ignacio Ramírez; I am an atheist and I consider religions to be a form of collective neurosis."〔Philip Stein, ''Siqueiros: His Life and Works'' (International Publishers Co, 1994), ISBN 0-7178-0706-1, pp176〕
From the age of ten, Rivera studied art at the Academy of San Carlos in Mexico City. He was sponsored to continue study in Europe by Teodoro A. Dehesa Méndez, the governor of the State of Veracruz. After arrival in Europe in 1907, Rivera initially went to study with Eduardo Chicharro in Madrid, Spain, and from there went to Paris, France, to live and work with the great gathering of artists in Montparnasse, especially at La Ruche, where his friend Amedeo Modigliani painted his portrait in 1914. His circle of close friends, which included Ilya Ehrenburg, Chaim Soutine, Amedeo Modigliani and Modigliani's wife Jeanne Hébuterne, Max Jacob, gallery owner Léopold Zborowski, and Moise Kisling, was captured for posterity by Marie Vorobieff-Stebelska (Marevna) in her painting "Homage to Friends from Montparnasse" (1962).〔 〕
In those years, Paris was witnessing the beginning of Cubism in paintings by such eminent painters as Pablo Picasso, Georges Braque and Juan Gris. From 1913 to 1917, Rivera enthusiastically embraced this new school of art. Around 1917, inspired by Paul Cézanne's paintings, Rivera shifted toward Post-Impressionism with simple forms and large patches of vivid colors. His paintings began to attract attention, and he was able to display them at several exhibitions.
Rivera died on November 24, 1957.

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